Showing posts with label roland piano. Show all posts
Showing posts with label roland piano. Show all posts

Friday, 2 December 2022

Roland FP-30 vs Roland FP-10 Digital Piano Comparison

 
 Today we’ll be comparing the specs and performance of two entry-level models of the Roland FP lineup as we see how the FP-10 and FP-30 compare.

We’ll cover all of the critical differences between these two pianos that really do much of the heavy lifting for Roland’s digital piano lineup considering how affordable they both are so that hopefully if you’re looking within this general category for your next instrument, you’ll be able to make a more informed decision.

With that in mind, we’ll jump in to see exactly how the piano actions of these two pianos measure up to one another.

Discontinued Model: The Roland FP-30 Digital Piano has been replaced by the FP-30X, please see our YouTube review here.
 

Piano Action: Roland FP-30 vs Roland FP-10

This will actually be the easiest and most straightforward part of our comparison because the action utilized in both pianos is literally exactly the same.

PHA-4 Standard Keyboard Action with Escapement

Roland puts the PHA-4 Standard Keyboard action with escapement and ivory touch into both the FP-10 and the FP-30, and there’s really no difference between them.

The PHA-4 hammer action is equipped with a triple sensor, although some of the marketing literature doesn’t necessarily make that very clear. This means both pianos will have exactly the same MIDI accuracy and touch sensitivity, so the real differences are going to come down to sound-related aspects and some of the features.

Interestingly, you’ll also find the PHA-4 action in the next model up in the FP series – the FP-60. Roland also uses it in the F-140R, the RP501R, and the RP-102.

Basically, it’s the go-to Roland action for their beginner and mid-range lineup. This means you would need to spend almost three times as much money as the FP-10 before you got any sort of meaningful improvement in the action.

For people out there who are focused on a good-feeling practice instrument or something that’s going to deliver the best touch in as portable and as inexpensive a package as possible, it’s really hard to dispute that either instrument, but especially the FP-10 as delivering fantastic value.

We’ve got a lot of experience with this action over at Merriam Music, and it’s an action that we’re very fond of it.

It’s not at all a clunky action so there isn’t an overabundance of mechanical noise or anything like that, it hits the key bed a little bit harder than say a comparable Casio, Kawai, Korg, or Yamaha action.
 

Key Texture

We really like some type of texture on the keys when it comes to digital piano actions as it adds some extra grip, which is especially helpful in more humid playing environments. The ivory feel here actually winds up absorbing a little bit of that extra moisture that sometimes gets generated.

The escapement, feature or some people call this let-off, is a simulation of the feeling you get on a real acoustic piano when the hammer comes off the knuckle. When you’re playing in the softer dynamic ranges such as pianissimo, the escapement is a nice feature to have. It actually adds a lot of authenticity to the experience.

There’s no question we’ve got a great-feeling action here that we would say is well suited for contemporary repertoire, and it works really well for jazz. For somebody just starting out in the classical world, we think you’d have no issues working up to medium difficulty repertoire with this action until you might want to consider an upgrade to an acoustic piano or high-end digital piano.
 

Piano Sound: Roland FP-30 vs Roland FP-10

Now we’ll be able to get into some real differences between the FP-10 and the FP-30. Let’s start with the speakers.
 

22-watts vs 12-watts Speakers

The FP-30 has 22 watts of speaker power while the FP-10 has 12. Given the FP-10’s size and price, those 12 watts actually give quite a bit of horsepower – certainly more than what any of us were expecting the first time we sat down at one.

There’s actually a fairly decent amount of body and depth to the sound, along with some adjustable reverb settings. It’s probably only going to be sufficient for situations where you’re really playing by yourself or maybe playing along with one other person as it’s not enough sound to fill up a medium room nor would it be enough for a performance situation.

Ideally, you might want to get the amplifier setup going or invest in a solid set of headphones to take advantage of the SuperNATURAL sound engine that the FP-10 is equipped with.
 

FP-30's SuperNATURAL Piano Sound Engine

The FP-30 is also equipped with the SuperNATURAL Piano sound engine, but there is a slight difference in the chipset between the FP-10 and the FP-30.
 

96 vs 128 Polyphony

The FP-10 has 96-notes of polyphony, whereas the FP-30 has 128. What does that actually mean for someone playing both pianos? For starters, you will hear a slight difference in the richness or complexity of the tone. The FP-30 sounds a little bit thicker, and you can especially hear that difference once you compare the treble ranges.

Unless you’ve got them side by side comparing the default grand piano tone though it’s going to be pretty hard for an average listener to tell the difference between these two in terms of the piano sound that it produces aside from the extra volume the FP-30 has at its disposal.
 

Onboard Sounds

When it comes to the sheer quantity of the different types of sound presets that each instrument has on board, there are about three times the number of tones on the FP-30 than on the FP-10. There are a few more acoustic pianos, electric pianos, and definitely more in the generic “other” category which is going to include things like strings, pads, vibes, synths, etc.
 

Features & Connectivity

Bluetooth MIDI

When it comes to features and connectors, both pianos are equipped with Bluetooth MIDI. Roland makes a few of their own music apps which both pianos are compatible with, and while they work with both Apple iOS and Android devices, things seem to run a little bit smoother with Apple devices. Bluetooth wireless technology isn’t a given in the price range, so kudos to Roland here.

Roland’s Piano Partner 2 and Piano Designer are compatible with both pianos, but you’re given more parameters to work within Piano Designer on the FP-30.

There are of course other great apps out there such as Garageband as well.
 

Standard Functions

Standard functions like a metronome and twin piano mode are covered on both instruments, but while the FP-30 also has Split, the FP-10 does not.

In terms of other features, the FP-30 has a recorder function and the ability to playback USB audio (SMF, WAV) through the USB flash drive on the back while the FP-10 doesn’t have either one of those functions.
 

Headphone Jacks Differences

Another difference – we’ve got two headphone jacks, a 1/4-inch, and 3.5-mil on the FP-30 to choose from while the FP-10 has a single 3.5 mil headphone output.

Neither instrument has a line out to connect to an amp, so you’ll need to use the headphone port if you plan on doing that.
 

Pedal Systems

Another important difference has to do with the pedals, and this is probably going to be one of the biggest deals for people with piano experience or who plan on taking piano lessons. The FP-10 does not have a port for the three-pedal unit option, whereas the FP-30 does.

While you need the KSC-70 designer keyboard stand for the KPD-70 triple pedalboard to function, just having that as an option will be a huge deal for some people.

At the very least with the FP-10, you’re going to want to upgrade yourself to the DP-10 Roland sustain pedal since it only includes a basic switch pedal in the box. A proper damper pedal makes all of the difference.

Both instruments come with a music rest for your sheet music as well as a power adapter.
 

Closing Thoughts

So, we’ve covered all of the key areas where these instruments are similar and where they depart from one another. The one that’s probably going to be the biggest sticking point for a lot of folks is the fact that the FP-10 doesn’t have the triple pedal option.

Both instruments are extremely good value, and for folks that just need as good action in as affordable and compact a package as possible, the Roland FP-10 will really stand out here.

If some extra sounds, more speaker power, a few extra features, and that triple pedal option are important, the FP-30 is well worth the extra few hundred dollars.

If there’s one area we’d like to see improved in the future, it would be to have each instrument have a dedicated line output as a traditional stage piano or synthesizer does.

Thanks for reading! Visit Merriam Music for more piano reviews and Articles. Also, visit our Youtube Channel for more in-depth piano covers.

The post Roland FP-30 vs Roland FP-10 Digital Piano Comparison first appeared on Merriam Pianos



Thursday, 1 December 2022

New Roland FP-X Series Digital Pianos | Roland FP-30X, FP-60X, FP-90X, F701, & RP701

2021 has been a big year for Roland with 5, count em' 5, new Roland digital pianos hitting the market, each one an update to a popular previous model.

In this article, we'll take a quick glance at each of the 5 models and briefly cover exactly what was approved with each model.
 

Roland FP-X Series - Overview

As one of the top players in the home digital piano market, pretty much every model Roland offers has been a huge seller. Updates on existing models are usually staggered so that new models come out one or two at a time, but in this case, Roland decided to update 5 models simultaneously.

With the exception of the entry-level FP-10, the entire FP series has been upgraded with the FP-30 is now the FP-30X, the FP-60 is now the FP-60X, the FP-90 is now the FP-90X, while home digital piano F140r has been upgraded to the F701, and the RP501 is now the RP701.

Let's take a look at each instrument to see exactly what was improved over the previous generation's model.
 

Roland FP-30X Digital Piano

When we first saw the spec sheets, we couldn't wait to get our hands on the FP-30X. Two critical updates that people have been begging for are present here; an increase to the polyphony, which in this case means an increase to the complexity of the piano sound and dedicated line outputs.

The polyphony has literally been doubled from 128 notes to 256, courtesy of the new BMC chip, and this is quite indicative of the extra processing power that the FP-30X is working with.

The twin quarter-inch outputs are a very significant add as they are totally separate from the headphone jack. This means the FP-30X is finally going to become a true gigging piano, which is great because the original FP-30 was always right on the cusp of being a killer gigging piano. The FP-30 was undoubtedly an excellent instrument, but adding the twin line outputs brings it to a whole new level.

Rounding out the improvements are 21 additional onboard sounds including improved piano tones, and the addition of Bluetooth audio connectivity. The FP-30 had Bluetooth MIDI for connection to music apps like Garageband, but the Audio functionality is a very welcome addition as it allows you to use the FP-30X to stream music directly from the onboard speakers.

The FP-30X again comes standard with a damper pedal, but you can upgrade to the three-pedal unit KPD 70 and KSC 70 matching optional stand.

Early feedback on the FP-30X has pretty much been unanimous - this is a class-leading instrument in the portable piano category that delivers incredible value.
 

Roland FP-60X Digital Piano

The FP-60X isn't the same 'Home Run' of an improvement that the FP-30X in the sense that the improvements are not as significant as those found on the FP-30X. That said, Roland didn't simply roll back the FP-60 and alter the name, there are several improvements that need to be noted.

To start, the total onboard sounds have been expanded to a large trove of 358 sounds, including a great selection of electric pianos, strings, synths, and more, all courtesy of the trusty SuperNATURAL Piano sound engine.

They've also improved the stereo speaker design and combined with the BMC chip, the FP-60X is undoubtedly delivering higher fidelity sound than what the FP-60 was capable of.

A couple of other things to mention; they've added the My Stage feature, added a mic input, and added 22 additional internal songs.

The FP-60X brings back the PHA4 Standard Keyboard action with escapement and ivory feel, so the improvements are pretty much all sound-related, which of course, isn't a bad thing.
 

Roland FP-90X Digital Piano

The FP-90X has a fairly short list of upgrades, but the main upgrade is very substantial - the FP-90X utilizes the brand new PureAcoustic Piano Modeling Engine, which can otherwise only be found in the top two LX-700 series flagship home digital pianos.

This is the latest in piano technology with one of the most sophisticated sound engines available in any digital piano, offering limitless polyphony while on acoustic piano tones, and delivering seriously high-level authenticity. The new ambience effects are particularly noteworthy, and getting in and customizing the sound with the Piano Designer app is tons of fun.

Otherwise, they've also expanded the total amount of onboard tones, added a second headphone input, and made the FP-90X compatible with the new Piano Everyday app.

The PHA-50 hybrid wood hammer action with escapement makes a return and maintains its place as one of the best actions available in a portable digital piano with phenomenal playability.

The class-leading onboard speaker system (twin subs and twin dome tweeters) and powerful amplifiers return as well. The FP-90X makes a strong case for being the best all-in-one stage piano available.
 

Roland F701 Digital Piano

Roland's F140r was an absolute force in the ultra-competitive mid-range home digital piano market, so like the FP-30X, this is an incredibly important instrument for Roland to get right with the new generation. Fortunately, they did just that.

Let's start with the appearance. The F701 retains the spirit of the F140r as a modern, highly compact instrument, but they have made the cabinet more robust and durable. The user interface has also been improved and is much easier to operate.

Like the FP-30X, the polyphony has been doubled to a class-leading 256 notes. There's also a massive list of onboard tones with over 300, also a class-leading spec.

The internal song list has been greatly expanded, and the F701 now incorporates Bluetooth Audio connectivity.

Overall, these improvements represent a sizeable improvement over the F104r.
 

Roland RP701 Digital Piano

The upgrades the RP701 offers over the RP501 are basically the exact same as the F701, which should come as no surprise given that the F140r and RP501 were very similar instruments aside from the cabinetry.

The relationship stays the same here, but the cabinet differences between the F701 and RP701 are now much more dramatic; the RP701 captures the true look and feel of an acoustic upright piano much better than the RP501 did.

Otherwise, we've got all the same upgrades - polyphony increased to 256 notes, more on-board sounds, more internal songs, Bluetooth Audio, and an improved user interface.

The RP701 is a great option for someone looking for the look of an acoustic piano with the functionality of a digital piano, without running into the multiple thousands of dollars.
 

Conclusions

5 new pianos, all with varying degrees of improvement, though all with the exception of the FP-60X represent a fairly significant level of improvement over their previous incarnations.

Don't forget to check out our more in-depth produce pages and reviews on YouTube for a closer look at each piano.

Thanks for reading!




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