Kawai GX-2 vs GX-3 Grand Piano Comparison, Including Features, Benefits, Price & More

 The 5’11” Kawai GX-2 grand piano is among our top-selling instruments here at Merriam Music, but for some folks, the 6’2” GX-3 is worth the extra spend all day.

In this article and companion video, we’ll be comparing the Kawai GX-2 vs GX-3 side by side. This should be helpful as these two instruments often wind up on the finals list for families looking for mid-range, professional-level grand pianos.

Let's start with some background information and context.

Background

There’s a list of commonly asked questions that piano dealers get asked every single day. The most frequent are things like digital or acoustic? Upright or grand? Kawai or Yamaha?

Beyond these staple questions, there are some model match-up questions that we often get as well, questions pertaining to the differences between the Kawai GX-2 vs GX-3 are quite common as well.

For a good number of people, their piano buying journey comes down to these two instruments. The GX line is very popular in the modern marketplace and is often compared to say, the Boston GP series (designed by Steinway but built by Kawai in Japan) and Yamaha’s CX series.

The GX line also sometimes gets positioned against the Yamaha S Series in markets where the Yamaha dealers have been forced to more heavily discount, and sometimes people will consider the GX line against Eastern European options.

Why is the GX Line so Popular?

The GX line is so well regarded among industry critics, musicians and institutions because it’s unanimously considered a very high-performing, high-value series of instruments.

When you look at the spec sheet for the Kawai GX-2 vs GX-3, they both read as though you’re looking at a European concert grand piano. In fact, the GX-2 and GX-3 are essentially factory reproductions of the handmade Shigeru Kawai SK-2 and SK-3 respectively.

Front and rear duplex scaling, vertically laminated bridges, special Konsei Katagi outer and inner rims with blended hard rock maple mahogany hardwoods, tapered solid spruce soundboards, V-Pro plates, steel-reinforced keyslips and keybed, extra wide stretcher bars and the list goes on.

Differences from the RX Line

The GX series came out close to 10 years ago now and were released as slightly larger updates to the hugely successful RX-2 and RX-3. The reason for the additional size was due to a slight thickening in the rims and lengthening of the keysticks as the newest version of Kawai’s Millennium III Carbon Fiber action features extended-length keysticks for better control.

For example, at 5’11” the GX-2 is classic salon grand size-wise, but the action will feel more like a 6’6” piano while the 6’2” GX-3 will feel closer to a 7-footer.

The other main upgrade over the RX series and an overall improved cabinet design and new hard finish that is both better looking and more durable.

Key Differences Between the Kawai GX-2 vs GX-3

Despite very similar-looking specs sheets aside from the 3-inch size difference, the GX-3 lists for a substantial $12,000 USD higher than the GX-2. This is due to the fact that Kawai manufactures many more GX2’s as compared to the GX-3, and as such, the GX-3 simply doesn’t have the economy of scale.

Now, if you actually have a GX-2 and GX-3 side by side and take a close look at them, you’ll notice some beam support differences when you look underneath both pianos. The GX-3 has a slightly more intricate cabinet which delivers a greater degree of cabinet resonance.

Otherwise, the differences between these two pianos are purely musical and result from the size differences since components such as the hammers, pinblock and agraffes are all the same, whereas the larger soundboard, strings, rim etc. result in different musical experiences.

We’ll dive more specifically into the sound now, but be sure to check out the video to hear these differences for yourself.

Sonic Differences

Musically speaking, there are a few things widely observed about the GX series as a whole that definitely apply here.

For example, the sustain on both of these instruments is exceptionally good for factory-produced instruments. The treble on both of these instruments is strong and thick with a very well-defined fundamental and yet lots of color too.

The biggest tonal differences start to emerge as soon as you get below concert A down around middle C. The “break” is a little bit smoother on the GX-3, and there’s greater warmth in the bass register. It’s also fair to say that the sound is slightly more open overall on the GX-3 as well.

Let’s expand on these observations and go register by register.

Bass Register

Interestingly, the GX-2 actually offers slightly better rim activation in that lower octave and while the mics we used for the video probably won’t pick this up, you can definitely hear this in person.

Both bass registers offer a similar level of projection, but we’re hearing more of the fundamental on the GX-3 due to the longer strings.

“Break” Area

One of the most significant differences as we move up through the range is the “break” area as we mentioned above. The “break” on the GX-3 is more controlled than the GX-2, and largely, this is a function of the extra string length.

The longer you can make a string, the cleaner you can make that transition.

Moving to the second octave up from the bottom, and there's a lot more of the third and fourth partial coming from strings on the GX-2 than the GX-3. If you play a good amount of repertoire within that particular range of the piano this could be a significant consideration.

Mid & Treble Ranges

Once we move up into the mid and treble ranges, the GX-3 is a little bit more colourful, although the GX-2 still sounds really great with lots of warmth.

GX-2 through this range offers more of a direct sound with less of a cabinet resonance but a more direct soundboard tone.

At the very top of both pianos, differences are almost indistinguishable from one another, which makes sense as the string length up here is basically the same.

Feel and Response

Millennium III Carbon Fiber Action

Both pianos are receiving the same ABS-Carbon composite action - the Millennium III Carbon Fiber action. Both pianos come very well regulated from the factory, and the voicing is generally very good out of the box as well.

The Millennium III action is without question one of the key selling features for the GX series musical instruments, especially for institutions where whose pianos will be receiving intensive use. Carbon Fiber reinforced plastic is more durable than the wood used in other actions at this price point and less temperamental.

Extended Length Key Sticks

At the same time, the repetition speed is extremely good, as is the responsiveness. The extended-length key sticks we mentioned earlier come into effect by providing the player with a greater level of control than they could normally reasonably expect out of a similarly sized piano.

Both pianos feature Neotex Key Surfaces on both the white and black keys, and this is another composite material that mimics the moisture-absorbing qualities of genuine ivory.

Final Thoughts

Summarizing the Musical Differences

The key musical differences between these the Kawai GX-2 vs GX-3 can be summed up as follows; The GX-3 offers more fundamental tone in the lower registers than the GX-2 and a little bit more power, but the overall character is actually quite similar.

As we move into the second octave, the GX-3 has a smoother “break” area, meaning there are fewer of those metallic harmonics coming through that often appear in this part of a grand piano.

In the third octave, the Kawai GX-2 is actually producing more cabinet resonance, and the treble areas are quite similar. This means that if you happen to play a lot of music that’s confined to the mid and upper registers, you’re not going to be sacrificing anything if you opt for a GX-2 as opposed to a GX-3.

On the other hand, if the extra bass presence, power and projection of the GX-3 are important to you, it’s well worth the premium.

Finishes & Aesthetic Features

Both pianos are most commonly sold in a polished ebony finish, but both are also available in satin ebony. That’s it for the GX-3, but as the bigger seller, the GX-2 is available in a variety of additional finishes including Walnut, Cherry and Oak Satin, as well as Snow White Polish, and Walnut and Sapeli Mahogany.

In terms of other aesthetic considerations, both pianos feature soft fall fallboards, as well as brass pedals and lid props.

Wrap Up

We hope this article has been helpful, whether you’re looking for a new piano and these were on the final list, or if you simply like learning about pianos.

For people who maybe only had a chance to check one model out in a showroom, we hope that this has helped shed some light on whether or not it’s worth exploring the other model.

Thanks for reading!

The post Kawai GX-2 vs GX-3 Grand Piano Comparison, Including Features, Benefits, Price & More first appeared on Merriam Pianos

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Kawai GX2 Grand Piano Review & Demo - Millennium III Action with ABS-Carbon, Classic Salon Grand

Introduction

The Kawai GX2 grand piano is a piano that creatively blends traditional craftsmanship with modern innovation and technology. Whether it's straightforward improvements to the lid props and soft fall systems, to the more complex improvements in touch control with the carbon fiber Millennium III action, Hard Finish coatings on the music rack, or steel-reinforced body parts like the keybed and keyslip, this instrument is one of the most popular choices amongst well regarded home and institutional grand pianos on the market today.

We hope you enjoy our video review and accompanying article by Stu Harrison from Merriam Pianos in Toronto Canada.

Kawai GX-2 Grand Piano Review Video Transcription

Hi, everybody, and welcome to another piano review. I'm Stu Harrison, we're here of course at Merriam Pianos, just outside of Toronto, Canada. We're in our beautiful Oakville showroom today and we'll be taking a close look at the Kawai GX2 BLAK, an instrument that has had an enormous impact on the institutional piano industry, and really the home piano industry as well. Amongst new pianos in this category, there are a multitude of revolutionary things going on throughout the design of this instrument, including the action, pinblock, key surfaces, lid prop stick, finish, and even the tapered solid spruce soundboard.

The GX2 is the current 5"11" grand piano from Japan in Kawai's premium category (the very top level is Shigeru Kawai, which is hand made and about twice the price of the GX line). It's a classic size, and is the most popular size for most companies that produce a 6' piano. It was preceded by the RX2, a 5'10" which was the first from Kawai to include vertically-laminated bridges and the Millennium III action. But unlike most product evolutions, the GX is devolved from the Shigeru Kawai SK2, rather than evolved from the RX2. In fact, the RX was discontinued around 2012/2013, its lineage is more apparent in the current GL line than anything else. So the GX is rolling off the line at their Ryuyo factory in Hamamatsu Japan, which is where they also produce other Kawai Grands from the GL, GX lines, and some of the Boston grand models for Steinway.

Tone and Harmonic Components

The GX2 has such a colorful, rich, lush tone, and unlike some of the previous Kawai piano models where you had a lot of upper partials and a very strong fundamentals, some of those warmer mid-tones maybe didn't come out as strongly. And often you got a compressed EQ curve out of these pianos - almost like an MP3 vs CD or Vinyl tone. It was warm, but some people heard it as a harsh sound. The GX has a beautiful tonal curve to it. You've got nice, lush, mid partials, the upper treble, it's all very well balanced. And the other great thing is there's very little mechanical inertia in the sound. So in other words, very responsive, the instrument comes alive, even at very, very low dynamic ranges.

It's no surprise that this instrument is finding a huge audience with the institutional market as well as the home market. Even performance venues, where you've got a need for affordable quality with good projection, are liking this line. And the majority of players enjoying the GX are young professionals or advanced students looking for versatility, consistency, and dynamism. An instrument that is really going to give us the widest palette possible so we can figure out how to use all of those colors. That's what pushes us as players, as artists to get better, is to be given more tools and figure out how to use them. These qualities are a given at $100,000 budgets. You can most certainly achieved that if you look hard at the $50,000 price level. When you get down into the $30,000 range, that becomes slim pickings to really have an instrument that you can truly describe as giving you a superb tonal depth to play with, something that at least lands tonally in the same range as a concert grand, and not break the bank.

Another major component which is contributing to the GX's tone is the fact that we've got a vertically laminated bridge.

Vertically laminated bridges are features that something that you find on pianos like a Steinway, you find it on Bechsteins, and Faziolis have really beautifully complex bridges. And the whole idea there is that you're trying to take all of the frequencies and their harmonics that are flowing through the string and get them down onto that soundboard. And of course, one type of wood is never going to deliver the full spectrum of tone without biasing it in some way. So, you've got multiple laminations on the bridge delivering different parts of the tone to the soundboard. You've got a tapered soundboard on this, which again, is a premium feature that you often find concert instruments but it's a little less usual in this price range. And you've got a hard rock maple, combined with the mahogany inner rim, which of course is delivering a lot of projection, a lot of rigidity, a lot of nice mid-tone projection, but that mahogany warms it up a little bit. And so, you get a very interesting mix of both this lower bloom to the tone, but you've also got this nice mid-ranged kind of laser beam thing that a lot of people would normally associate with a Steinway.

I think that's where the GX series grand pianos have really stepped up to the plate and helped bridge the divide between what normally would be an exceptionally well built mass-produced piano, which I would describe the RX or the Yamaha C-Series is this workhorse instrument that didn't require a lot of maintenance, lasts decades and decades, and produces a consistent tone. The gap occurs between those options and having to double your budget to get into something that really truly gave you that lush palette that you'd normally associate with a concert instrument. So it finds a nice halfway point.
The last few points I'll make on the harmonic features of the piano are the agraffes - there to help reduce distortion and improve clarity in the mid and upper ranges, and the stretcher bar - there to improve cabinet resonance.

GX2 Key Action and Feel

Now, I did mention that we're going to talk about the action. And so, we are definitely going to pull out and on the GX, they're using the Millennium III action, the Ninja edition. Now, this is a slight update to the Millennium III action with ABS-Carbon that they've had for quite a few years. One of the notable features that they have on the GX is this extended key stick length. And this is something that they've brought out in the GL, they brought out on some of the K-Series upright pianos, the GX and the SK and that is this extra-long key stick that they're putting on there to better simulate the type of dynamic feel that you get on a concert instrument or at least a 7-foot instrument. It's a simple yet effective innovation that reduces the transitional effect that you have, if this is your practice instrument and you wind up having to do recitals on a 9-foot or in-studio on a 7-foot, this doesn't feel worlds apart, just kind of a nice thing. It also reduces the differences in weight and speed between the front of the key and the rear.

There are several other aspects besides the keysticks that make this action very fluid, consistent, and versatile. For one, It's going to feel slightly deeper than what you'd normally get on a European action. For many people, what that does is it sort of increases the level of control they have, particularly in the lower dynamic ranges. And, of course, Kawai as rather famously or infamously switched from wood components to composite action parts for a lot of the repetition components. For anyone who's been in the industry for several decades can tell you that Kawai took a lot of flack for making this change. They became an easy punching bag for a lot of competitor companies to come in and say, "Oh, it's plastic, it's cheap." or crazy claims like "it's made of recycled garbage bags." And I've heard a multitude of very interesting things said about this composite action. Unfortunately, the facts of the matter is that this has been shown to be an incredibly easy to own consistent action. And one where I think a lot of people have appreciated the fact that you're having to regulate it less. And especially in a climate like this, the piano plays the same on a hot sweaty day, as it does in a cool dry day. And that's, it's just a nice convenience, a nice musical convenience to have your piano feel the same regardless of what's going on with the weather.

Looking at the action from the hammer back, we've got double felted hammers with mahogany cores, we've got the mechanics in the repetition section of the action which is made of the composite. And as mentioned in the introduction, Kawai does a number of other things in its key bed to really reinforce the NEOTEX keys and make sure that we've got maximum energy flowing through the action and finally reaching the string.

Cabinetry and Finishes

The GX2, like most of the other grand piano models in the GX line, have a blend of contemporary and traditional lines and influences in the exterior design. The most common finish is polished ebony, but it is also available in polished mahogany, polished walnut, and in some markets sapeli mahogany polish. You can also get it in satin ebony, a traditional hand-rubbed finish normally seen in American grand pianos.

The casters are solid brass and extremely high quality, and the V-Pro plate is powder coated in an automotive-quality like gold finish.

Conclusions

So, the GX presents a really interesting option I think for parents looking for advanced students at home or of course schools looking for an easy to maintain grand piano that delivers consistent touch and dynamic, clear tone. Now, its main competitor, of course, is the Yamaha C2X grand piano. So, I did say at the beginning of the video that we're going to be comparing the GX2 to the Yamaha C2X. And we've got a Yamaha C2X, a relatively new one, I think 6 million serial number in the showroom, and we're going to be just taking a look at exactly what the Yamaha brings to the table. It's another formidable instrument, and exactly how it compares to the Kawai GX2 grand piano. I'm sorry to disappoint, this video will not be delivering a conclusive one is better than the other type of statement. Really, the hope here is to draw your attention to the comparison points so that you can continue to do some research and draw of course your own conclusions. Musical instruments and pianos are no exception are so personal. And so there's no way I'm going to be able to predict what tone or what touch might appeal to you the best.

But like I said, hopefully, we can help direct your research so that you can focus in on those salient points and maybe just make the shopping experience a little less confusing or just a little more focused. So, we're going to get set up in front of the Yamaha C2X in our next video and see just how these two pianos stack up.



The post Kawai GX2 Grand Piano Review & Demo - Millennium III Action with ABS-Carbon, Classic Salon Grand first appeared on Merriam Pianos

2359 Bristol Cir #200, Oakville, ON L6H 6P8

merriammusic.com

(905) 829-2020